In one of my novels I had a character imagine that there must be other possibilities beyond the brute either/or, the ultimate would-you-rather, of 1. God exists, or 2. God doesn't exist. So there were various alluring heresies, like: 3. God used to exist, but doesn't anymore; 4. God does exist, but has abandoned us; 8. God did exist, and will exist again, but doesn't exist at the moment—He is merely taking a divine sabbatical (which would explain a lot); and so on. My character got up to number 15 (there is no God, but there is eternal life) by the time he, and I, reached the end of our imagining powers.
One possibility we didn't consider was that God is the ultimate ironist. Just as scientists set up laboratory experiments with rats, mazes, and pieces of cheese placed behind the correct door, so God might have set up His own experiment, with us playing rat. Our task is to locate the door behind which eternal life is hidden. Near one possible exit we hear distant ethereal music, near another smell a whiff of incense; golden light gleams around a third. We press against all these doors, yet none of them yields. With increasing urgency—for we know that the cunning box we find ourselves in is called mortality—we try to escape. But what we don't understand is that our non-escaping is the whole point of the experiment. There are many fake doors, but no real one, because there is no eternal life. The game thought up by God the ironist is this: to plant immortal longings in an undeserving creature and then observe the consequences. To watch these humans, freighted with consciousness and intelligence, rushing around like frantic rats. To see how one group of them instructs everyone else that their door (which even they can't open) is the only correct one, and then perhaps starts killing anyone who puts money on a different door. Wouldn't that be fun? [p. 187]
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Tuesday, December 2, 2008
"Other possibilities beyond the brute either/or...."
Another edifying passage from Julian Barnes's Nothing to Be Frightened Of:
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