In Bloomington, Illinois
By Geoffrey Dean
We’re back in Salt Lake City following three weeks in Bloomington, Illinois, for the 15th edition of the Illinois Chamber Music Festival at Illinois Wesleyan University. Coaching young chamber groups and performing some of the iconic works from the chamber music literature with fellow faculty members make this a meaningful experience each summer that I’m always happy to come back to. The highlight of this year’s faculty performances, according to an audience member who’s been coming to the concerts for over a decade, was our rendition of the Dvorak String Quintet in E-flat Major, Op. 97. The lesser-known “cousin” of Dvorak’s popular “American” quartet, the quintet was also written during the summer of 1893, when the composer was staying not too far from Bloomington, in Spillville, Iowa. How “American” is the American quintet? The theme of the variations movement sounds a lot like “My Country, ’Tis of Thee.”
By Geoffrey Dean
We’re back in Salt Lake City following three weeks in Bloomington, Illinois, for the 15th edition of the Illinois Chamber Music Festival at Illinois Wesleyan University. Coaching young chamber groups and performing some of the iconic works from the chamber music literature with fellow faculty members make this a meaningful experience each summer that I’m always happy to come back to. The highlight of this year’s faculty performances, according to an audience member who’s been coming to the concerts for over a decade, was our rendition of the Dvorak String Quintet in E-flat Major, Op. 97. The lesser-known “cousin” of Dvorak’s popular “American” quartet, the quintet was also written during the summer of 1893, when the composer was staying not too far from Bloomington, in Spillville, Iowa. How “American” is the American quintet? The theme of the variations movement sounds a lot like “My Country, ’Tis of Thee.”
