50 & 60 years later
By Ed Rogers
[10 years ago (on April 2, 2013), Ed Rogers remembered the Sixties. This re-run of his “Tuesday Voice ‘The Sixties’” gives us [and him] a chance to remember (or imagine) them again: the Vietnam War, Bob Dylan, Joan Baez, marijuana….]
Reflecting back on my life, as most of us old farts do, I realized that most people only know about the sixties through history books, newspapers, or bullshit stories that people like me tell. I don’t claim to have been in the belly of the beast, but I had a hold of its tail.
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Showing posts with label Jimi Hendrix. Show all posts
Showing posts with label Jimi Hendrix. Show all posts
Thursday, April 6, 2023
The Sixties
Labels:
Beatles,
Bob Dylan,
Ed Rogers,
Janis Joplin,
Jim Morrison,
Jimi Hendrix,
Joan Baez,
marijuana,
Richard M. Nixon,
Tuesday Voice,
Vietnam War,
x years
Wednesday, March 27, 2019
Sketches from the Twin Cities: A Song Sung Red, White, and Blue
Geoffrey Dean, Sketches, Gustav Mahler, South Dakota Symphony Orchestra
War, Jazz, and The Star Spangled Banner
By Geoffrey Dean
Books with an implied musical “soundtrack” have always interested me, as some of my earlier posts on this blog will attest. So when I came across a new tome by E. Douglas Bomberger titled Making Music American: 1917 and the Transformation of Culture (New York: Oxford University Press, 2018), I knew I had a music-filled read in store. 1917 was the year that jazz made its sensational first appearance in New York City and on records, with the Original Dixieland “Jass” Band’s “Livery Stable Blues.” It was also the year that the US entered World War I, making the presence of music by Wagner, Beethoven, and other German composers on concert programs increasingly controversial and the appearance of jazz on the national scene a timely diversion. The Star Spangled Banner, not yet the official our national anthem, became in 1917 a source of heated debate: should it be played, and if so, where, how, and by whom?
War, Jazz, and The Star Spangled Banner
By Geoffrey Dean
Books with an implied musical “soundtrack” have always interested me, as some of my earlier posts on this blog will attest. So when I came across a new tome by E. Douglas Bomberger titled Making Music American: 1917 and the Transformation of Culture (New York: Oxford University Press, 2018), I knew I had a music-filled read in store. 1917 was the year that jazz made its sensational first appearance in New York City and on records, with the Original Dixieland “Jass” Band’s “Livery Stable Blues.” It was also the year that the US entered World War I, making the presence of music by Wagner, Beethoven, and other German composers on concert programs increasingly controversial and the appearance of jazz on the national scene a timely diversion. The Star Spangled Banner, not yet the official our national anthem, became in 1917 a source of heated debate: should it be played, and if so, where, how, and by whom?
Labels:
E. Douglas Bomberger,
Ernestine Schumann-Heink,
Geoffrey Dean,
jazz,
Jimi Hendrix,
John Philip Sousa,
Karl Muck,
Louis Armstrong,
Sketches,
Star-Spangled Banner,
Victor Herbert,
Walter Damrosch,
Whitney Houston
Sunday, February 15, 2015
Sunday Review: Hard Rock Hotel & Casino
Now open at Lake Tahoe
By Jim Rix
After the better part of a year and $60 million (I’m told), the renovation of Lake Tahoe’s old Horizon Casino got completed. The Hard Rock Hotel & Casino opened to a much anticipated local crowd on Wednesday, January 28.
It was fortunate for my friend Heather and me that we entered through the back door, because we found out later during our meandering that the front entrance was jammed and backed up. It was basically a madhouse. It was so packed that Security was letting people in the front door only as others exited.
By Jim Rix
After the better part of a year and $60 million (I’m told), the renovation of Lake Tahoe’s old Horizon Casino got completed. The Hard Rock Hotel & Casino opened to a much anticipated local crowd on Wednesday, January 28.
It was fortunate for my friend Heather and me that we entered through the back door, because we found out later during our meandering that the front entrance was jammed and backed up. It was basically a madhouse. It was so packed that Security was letting people in the front door only as others exited.
Labels:
Buddy Holly,
Elvis Presley,
Hard Rock,
Jim Rix,
Jimi Hendrix,
Lake Tahoe,
rock n roll,
Sunday Review
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