Dunkirk
By Jonathan Price
In my unrelenting search for something worthwhile to feast my eyes on in late afternoon or early evening and take me from the Trump-drenched world to other worlds worth contemplating, while munching on the obligatory bag of unbuttered popcorn, I recently saw two films, Dunkirk and Maudie. The titles, as so frequently, tell you very little; the names of places or people or events, and they promise very little, unless you happen to know about these things in advance. They don’t really tell you about content or feeling or approach. You’re supposed to learn these on your own, through general cultural knowledge, or the deluge of previews in previous visits to movie houses. And I probably see more previews than the average moviegoer, trying to get my movie fix at least twice a week, arriving early to locate a suitable seat and to see previews.
By Jonathan Price
In my unrelenting search for something worthwhile to feast my eyes on in late afternoon or early evening and take me from the Trump-drenched world to other worlds worth contemplating, while munching on the obligatory bag of unbuttered popcorn, I recently saw two films, Dunkirk and Maudie. The titles, as so frequently, tell you very little; the names of places or people or events, and they promise very little, unless you happen to know about these things in advance. They don’t really tell you about content or feeling or approach. You’re supposed to learn these on your own, through general cultural knowledge, or the deluge of previews in previous visits to movie houses. And I probably see more previews than the average moviegoer, trying to get my movie fix at least twice a week, arriving early to locate a suitable seat and to see previews.
