Some days, half-roused, he finds the way back to sleep only by remembering one of the women...having one of them beneath him, beside him, above him...but today is not one of those days. The strengthening white sun of spring glares brutally beneath the window shade. The real world, a tiger unwounded by his dream, awaits. It is time to get up and shoulder a day much like yesterday, a day that his animal optimism assumes to be the first of a sequence stretching endlessly into the future but that his cerebrum—hypertrophied in the species Homo sapiens—knows to be one more of a diminishing finite supply.
...Birds long have been astir, the robins picking after worms, the crows boring into the lawn for chinch-bug grubs, the swallows snatching mosquitoes from midair, kind calling to kind in their jubilant pea-brained codes...
...he hears the mockingbird, mounted on its favorite perch at the tip of the tallest cedar, deliver a thrilling long scolding about something or other, some minor, chronic procedural matter. All these local levels of Nature—the birds, the insects, the flowers, the furtive fauna of chipmunks and woodchucks scuttling in and out of their holes as if a shotgun might blast them the next instant—have their own network of concerns and communications; the human world to them is merely a marginal flurry, an inscrutable static, an intermittent interference rarely lethal and bearing no perceived relation to the organic bounty (the garbage, the gardens) that the human species brings to Nature's table. They snub us, Owen thinks. We should be gods to them, but they lack our capacity for worship—for foresight and the terrors and convoluted mental grovelling that foresight brings with it, including the invention of an afterlife.... [pp. 5-9 in the large-print edition]
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Friday, June 5, 2009
A diminishing finite supply
John Updike (1932-2009) died in January. By the time his twenty-first novel, Villages, was published, in 2004, he was lacing more and more references to mortality into his fiction. I too have been thinking more and more about death, in the same cold-eyed way that Updike seems to have thought of it in his own final years:
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