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Read my earlier Lazar Nikolov post here.
Listen to Nikolov’s second cello sonata:
Yesterday [August 26], on the occasion of Lazar Nikolov’s 100th birthday [1922], his long-time musical associate Dragomir Yossifov observed that Nikolov’s music continues to receive polished performances by leading Bulgarian musicians of the younger generation. This is a happy state of affairs. It is not by any means a “given” that any composer’s music will outlive the composer. I suspect that Lazar himself, who had been accustomed to the near-impossibility of getting an unbiased hearing of his own compositions, would enjoy the irony that now, almost two decades after his death [in 2005], young performers are voluntarily seeking his music out to perform.
I was once one of those young performers. In September 1991, then a new arrival in Bulgaria, I wanted to meet the most celebrated living Bulgarian composer. The next thing I knew I was drinking tea across the table from Lazar Nikolov and his wife Hanna at their Sofia apartment. I remember the excitement I felt as he played recordings of his music, laid out the scores of several of his cello works, and invited me to play them. I remember that same kind of excitement, a sense of profound momentousness and child-like giddiness all wrapped up in one, every time I performed or recorded one of his works. Its echo comes back to me now as I write this....
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Read on….
| Copyright © 2022 by Geoffrey Dean |
You say, “…the next thing I knew…” [“I was once one of those young performers. In September 1991, then a new arrival in Bulgaria, I wanted to meet the most celebrated living Bulgarian composer. The next thing I knew I was drinking tea across the table from Lazar Nikolov and his wife Hanna at their Sofia apartment.”]. How did the meeting actually come about? Who facilitated it?
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