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Certain frames of mind, or attitudes, or ways of looking at and experiencing the world seemed conducive to sacral experience. One’s sense of the wholeness, the interconnectedness of life on the planet. One’s sense of justice, of fairness, of just deserts, of not being more deserving than the next person (or creature). One’s sense of the beauty of truth and acceptance and goodness.
But Goines frequently also felt elevated to a plateau, or ennobled, when he immersed himself in feelings of sadness at the suffering that pervaded everything. Maslow had positioned sacral experience in the top layer of his “Hierarchy of Needs” – the layer of self-actualization. If Goines could indulge himself in self-actualization (and self-transcendence), it was because the lower layers of his needs were sufficiently met: He had self-esteem, and he was esteemed by others. He loved and was loved; he belonged to his family, to his community. He lived a safe neighborhood, in a secure home, a stable society, a prosperous region. He was in good health, he had enough to eat, he had money to meet both his needs and his modest wants.
But these layers of needs went unmet for many other people (and certainly for creatures lower on the food chain), and Goines frequently suffered at the thought of them. These were not peak experiences for him. They were not joyous, they were not “positive.” They were “nadir” experiences, sad, “negative.”
And yet. And yet, a consequence of opening himself to the lowlands of human experience, of subjecting himself to them, seemed to be that, longer-term, he had become less judgmental of others, more empathic toward them, more accepting of his relative powerlessness to do anything about it. By growing in these area, Goines actualized himself further, transcended further beyond himself, experienced more terrain of sacral plateau.
Goines thought that he might have discovered the secret of Mona Lisa’s smile.
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I enjoyed reflecting on your multi-layered piece from the Goines collection. Was the Mona Lisa reference a nod to the recent discussion of removing her from the wall of the Louvre, or is this an unrelated cameo?
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