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Michael Aloni as Akiva Shtisel |
A sad-sounding composition started playing on the radio. “This music reminds me of the Shtisels,” Mrs. Goines said. “It’s so sad.” she said. “And the Shtisels remind me of what my acquaintance Hanna said when I asked how she felt about her daughter marrying someone she met in college who was going to become a rabbi. She said, ‘Well, it was a better alternative for her than getting hooked on drugs’. Can you imagine!”
Goines snorted at the comparison, remembering that Hanna’s daughter, like the wives in Shtisel, was supposed to allow no one but her husband to see her hair, and had to wear a wig whenever she went out or had company.
But that was Hanna’s daughter’s choice, Goines acknowledged, however unfair to women the practice might strike him and others not of their faith. Maybe the character Akiva Shtisel, anyway, could acquire some experience in the artist’s studio and overcome whatever social or religious strictures seemed to be preventing him from becoming an artist in his own right. Goines hoped he would.
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